Fans of trash cinema — and their number is larger than you’d expect — fondly remember the 1980s glory days of Troma Studios, which brought us gleefully gruesome low-budget classics such as The Toxic Avenger, Surf Nazis Must Die, Rabid Grannies and Chopper Chicks in Zombietown, among many others.
Writer/director James Gunn’s carnage-laden sequel to 2016’s Suicide Squad — this new one adds a crucial “The” — is like a Troma flick with a big-studio budget. That homage clearly is deliberate, since the voluminous end credits include an acknowledgment of The Toxic Avenger.
Which is to say, this is an unapologetically tasteless, offensive, gruesome and profane 132 minutes of hyper-violent gore, made (perhaps) a bit more palatable by equally relentless gallows humor. It’s The Dirty Dozen gone dog-nuts.
Gunn and visual effects supervisor Kelvin McIlwain include all possible means of torturing a human body, invariably amid gouts of splattered blood: decapitations, sliced limbs, craniotomies, gouged eyeballs, halfectomies (just what it sounds like), close-range shotgun blasts, and every other imaginable form of slicing and dicing. (Actually, they may have missed defenestration, but I’m not going back to double-check.)
Oh, yes: and being devoured by an enraged, land-based shark.
Gunn has no shortage of chutzpah. Recognizing that the 2016 film was a grim, joyless affair, he has doubled-down on this one’s unceasing snark. The most ridiculous lines, emerging at the most inappropriate moments, are uttered with straight-faced sincerity … which, of course, makes them even funnier (if your predilections run to such things).
And I do love the clever intertitles that bridge events and signal flashbacks (“Eight minutes earlier…”).
Gunn also earns geek cred for resurrecting some of the craziest characters ever introduced in DC comic book lore, such as the one updated here as TDK (and played by fan fave Nathan Fillion, although he’s hard to recognize beneath the mask); and the even more unlikely Starro the Conqueror, the first supervillain faced by the original Justice League of America, when that team debuted in early 1960.
Unlikely, to be sure … yet also quite creepy.
But that comes much later. Events kick off with the clandestine, late-night invasion of the island nation of Corto Maltese, which — thanks to a vicious regime change — suddenly has become a threat to the good ol’ US of A. Our assembled “mercenaries” are misfit, hyper-enhanced villains given this chance to shorten their sentences at Belle Reve, a prison with bragging rights for having the country’s highest mortality rate.
These degenerate delinquents are released to the care of Task Force X leader Col. Rick Flag (Joel Kinnaman), with their every move monitored back in the States by government techies supervised by the merciless Amanda Waller (Viola Davis). One false step, and she’ll activate the micro-bomb implanted in the base of each villain’s skull, thereby blowing his — or her — head off.
(Yes, of course we get to watch that happen.)