Armed with an impressive seven Academy Award nominations, Kenneth Branagh’s riveting, semi-autobiographical drama has just become available via streaming services.
This is must-see cinema.
Buddy (Jude Hill, his back to camera) listens quietly while his mother (Caitriona Balfe), grandmother (Judi Dench) and grandfather (CiarĂ¡n Hinds) explain what has been happening in their neighborhood. |
In this case, Branagh’s quasi-surrogate self is 9-year-old Buddy, played with beguiling innocence and impishness by Jude Hill, in a stunning feature film debut. Because this story is viewed through Buddy’s experiences and imagination, Hill is in practically every scene, and he capably carries the film; he’s beyond adorable.
Branagh extracts an amazingly accomplished and nuanced performance from this young lad. It’s a crime that he didn’t secure a Best Actor nod to accompany all the other well-earned nominations.
Cinematographer Haris Zambarloukos opens with an imposing, full-color overview of today’s Belfast. We then slide into a crowded, working-class pocket neighborhood; the image turns monochromatic as we’re whisked back to the summer of 1969. Children play merrily in the sun-dappled streets; adults chat amiably while walking to and from the little shops nestled in between row houses.
Everybody knows everybody else. When Buddy’s Ma (Caitriona Balfe) calls him in for tea, the message is passed along via children and adults until it finally reaches him.
Then, suddenly, anarchy: An angry mob rounds a street corner like a swarm of maddened bees, laying waste to homes, shop windows, vehicles and anything else in their path … with a focus on Catholic families. It’s the opening salvo of the five-day political and sectarian violence that quickly spread through Ireland and led to the 30-year conflict dubbed “The Troubles.”
Buddy, terrified, stands frozen like a deer caught in headlights. We see the disconnect in his gaze; the boy cannot begin to comprehend the savage reality of what’s happening.
In that instant, his life — and that of his family, and everybody else — is altered. Forever. The calm of sociable neighborliness has been shattered, never to return; Catholic and Protestant families, once close friends, now eye each other warily. (Buddy and his family are Protestants.)
In the aftermath, streets are barricaded; watchers are posted 24/7. Buddy’s universe — this tiny portion of Northern Belfast — has become an artificial island.