Showing posts with label Luis Guzman. Show all posts
Showing posts with label Luis Guzman. Show all posts

Friday, September 4, 2026

Coyote Vs. ACME: A smash riot

Coyote Vs. ACME (2025) • View trailer
Five stars (out of five); rated PG, for cartoon violence
Available via: Movie theaters
By Derrick Bang • Published in The Davis Enterprise, 9.6.26

Chuck Jones would be thrilled to bits.

 

When he and writer Michael Maltese co-created the Road Runner and Wile E. Coyote, for the 1949 Warner Bros. cartoon short “Fast and Furry-ous,” they likely thought this pairing would be a one-off.

 

Paige (Lana Condor) and her Uncle Kevin (Will Forte) are about the experience the
chaos that results from even a seemingly innocuous ACME product ... and they'd also
better be careful with what's inside that box.

As if.

That ingenious tribute to the silent-movie slapstick efforts of Charlie Chaplin, Buster Keaton and Harold Lloyd became — at the risk of citing the infamous oxymoron — an instant classic. 

 

Jones went on to direct 25 more theatrical shorts featuring the doomed efforts of Carnivorous Vulgaris (the Coyote) to catch Accelleratii Incredibus (the Road Runner), up to 1980’s “Soup or Sonic.” While the first dozen or so arguably are funnier and more clever than what followed, as a whole it’s still an awesome body of work.

 

I’m therefore delighted to report that director Dave Green and his team of writers — Samy Burch, James Gunn and Jeremy Slater, inspired by Ian Frazer’s hilariously deadpan 1990 humor piece in The New Yorker — have faithfully adhered to Jones’ wit, style and frenetic comedy pacing with this phantastic feature film.

 

Full disclosure: What follows is an unapologetic and shamelessly biased five-star review by someone who has, from the moment I was old enough to appreciate his work, long worshipped at the altar of All Things Chuck Jones ... and I now have no trouble adding this marvelously chaotic blend of live action and animation to that pantheon of cartoon comedy.

 

The premise here is as golden as it is simple. After the film opens on Wile E.’s most recent attempts to catch his prey — each failing, due (as always) to faulty engineering — the Coyote finally realizes that the blame, all these years, is not his. No, he has been the victim of dangerously defective ACME products.

 

The obvious solution: a product liability lawsuit.

 

But something even more sinister is afoot here. A prologue reveals that longtime ACME scientist Dr. Lorre — an intentional caricature of Peter Lorre, one of numerous movie stars lampooned in early Looney Tunes and Merry Melodies shorts — has become convinced that the work he has been doing, on the clandestine “Project Sisyphus,” is unacceptably dangerous. He manages to box up one mysterious item before being caught and — true to ACME form — forced to step into a small circular black hole. He vanishes, after which the hole is carefully rolled up and placed in storage (!).

Friday, January 18, 2013

The Last Stand: Solid comeback vehicle for Schwarzenegger

The Last Stand (2013) • View trailer
3.5 stars. Rating: R, for considerable violence, gore and profanity
By Derrick Bang • Originally published in The Davis Enterprise, 1.18.13



The New Year seems to have brought a run of transplanted Westerns.

Last week, the Magnificent Seven template wound up in 1950s Los Angeles, as Gangster Squad. This week, Howard Hawks’ iconic 1959 John Wayne oater, Rio Lobo — which John Carpenter riffed, just as suspensefully, as 1976’s Assault on Precinct 13 — has been transformed into a modern-day mission to stop a notorious Mexican drug kingpin from making it back to the safety of his native country.

When screwball Lewis Dinkum (Johnny Knoxville, being carried) gets pinned down by
gunfire, Frank (Rodrigo Santoro) charges into the thick of battle in a rescue attempt.
Things have gotten out of hand in the sleepy little town of Sommerton Junction, and
they're about to get even worse...
The only thing in his way: the helplessly outnumbered and outgunned citizens in the pokey little border town of Sommerton Junction.

The Last Stand marks the American directorial debut of South Korean director Kim Jee-woon, perhaps known on these shores for A Tale of Two Sisters and his genre-bending Oriental Western, The Good, the Bad, the Weird, which was Korea’s top box-office hit in 2008.

No surprise, then, that Kim would favor us with a variation on a classic American Western known for its blend of suspense, deftly sketched characters and snarky humor (in this case, quite dark at times).

Frankly, Arnold Schwarzenegger couldn’t have selected a better comeback vehicle, at this point in his career. Andrew Knauer’s story — clearly shaped by the earlier Hawks and Carpenter films, with scripting assists from Jeffrey Nachmanoff and George Nolfi — plays to Arnie’s advancing age, while amply demonstrating that movie action heroes never die, they just find more inventive ways to get the job done.

Mind you, this scenario is wholly outlandish and ludicrous, and no laws are broken more than the basic laws of physics. But it’s all in good fun — if unexpectedly gory at times — and you’ll have no trouble embracing Kim’s all-stops-out rhythm.

Events kick off late one evening in Las Vegas, as grim-faced FBI Agent John Bannister (Forest Whitaker) oversees the transfer of drug lord Gabriel Cortez (Eduardo Noriega) via a special prisoner convoy. Borrowing a gag from James Bond’s You Only Live Twice, Cortez makes an impressive escape; within minutes, he’s speeding from the scene at 250 miles per hour (!) in a tricked-up Corvette ZR1.

Worse yet, Cortez has a hostage handcuffed in the passenger seat: FBI Agent Ellen Richards (Genesis Rodriguez).