Showing posts with label Fiona Shaw. Show all posts
Showing posts with label Fiona Shaw. Show all posts

Friday, October 2, 2020

Enola Holmes: The game's afoot!

Enola Holmes (2020) • View trailer
Four stars. Rated PG-13, and ludicrously, for occasional peril
By Derrick Bang • Originally published in The Davis Enterprise, 10.2.20

I love when it’s obvious, mere minutes into a film, that we’re in for a lot of fun.

 

When her mother vanishes under mysterious circumstances, Enola Holmes (Millie Bobby
Brown) is forced to request help from her older brothers, Sherlock (Henry Cavill, left)
and Mycroft (Sam Claflin) ... who prove to have unacceptable plans for her future.

Enola Holmes — debuting on Netflix — is an absolutely delightful adaptation of The Case of the Missing Marquess, the first book in Nancy Springer’s young adult series about the hitherto unrevealed teenage younger sister of Sherlock and Mycroft Holmes. The setting is London, the year 1884: just as Sherlock is in the process of establishing his credentials, following the successful resolution of “A Study in Scarlet” and “The Adventure of the Speckled Band.”

 

The literary Enola is plucky, intelligent and resourceful; as depicted here by Millie Bobby Brown — who shot to fame via TV’s Stranger Things — she’s also mischievous, endearing and quite captivating. Director Harry Bradbeer and scripter Jack Thorne don’t merely break the fourth wall; they shatter it completely, with Enola frequently pausing to address us viewers directly, or to shoot us a knowing glance.

 

That’s a tricky gimmick to employ, as it risks trivializing the story, and/or becoming too “cute.” But Bradbeer and Brown pull it off with élan, thanks in great part to the young actress’ facility with a well-timed line of dialogue. She essentially draws us into Enola’s unfolding adventure, as if we’re well-trusted confidants.

 

Bradbeer also spices this live-action adventure with occasional Victorian-style “stick figure” graphics, courtesy of animators Luca De Giglio and Lucas Scapim; they’re employed much the way Terry Gilliam’s similarly retro animation bridged the comic sketches in a Monty Python TV episode. They serve here as brief history lessons, character introductions, or depictions of Enola’s deductive reasoning.

 

She’s clever and physically adept, having been schooled in both book knowledge and jiu-jitsu self-defense skills, courtesy of her free-thinking and rather eccentric mother, Eudoria (Helena Bonham Carter). Although forced to endure the late 19th century laws and social traditions that place so many restrictions on women, Eudoria is a steadfast supporter of the suffrage cause, and wants to help create a world where her daughter can have freedom and power.

 

Carter is absolutely perfect for the role. She radiates authority, determination and calm resolve, along with a knowing gaze that bespeaks an impressive intellect. (This is, after all, the woman who raised the world’s most famous consulting detective; we have to assume that he got some of that acumen from his mother!)