Showing posts with label Selma Blair. Show all posts
Showing posts with label Selma Blair. Show all posts

Thursday, July 10, 2008

Hellboy II: The Golden Army -- A bit tarnished

Hellboy II: The Golden Army (2008) • View trailer for Hellboy II: The Golden Army
Three stars (out of five). Rating: PG-13, for profanity and considerable action violence
By Derrick Bang • Originally published in The Davis Enterprise, 7.10.08
Buy DVD: Hellboy II: The Golden Army • Buy Blu-Ray: Hellboy II: The Golden Army [Blu-ray]


Back when he made 2004's Hellboy, Mexican director Guillermo del Toro was a star on the rise, known primarily in this country for an obscure (but quite imaginative) 1997 horror flick, Mimic, and 2002's stylish but otherwise forgettable second entry in Wesley Snipes' Blade series.
And you think you're having a bad day? Our misfit heroes — from left,
protoplasmic mystic Johann Krauss, aquatic empath Abe Sapien (Doug Jones),
reformed demon Hellboy (Ron Perlman) and pyrokinetic Liz Sherman (Selma
Blair) — reluctantly prepare for a last stand against 4,900 massive robot
warriors of death.

Arthouse patrons also had some exposure to del Toro, thanks to 2001's wonderfully moody ghosts-in-an-orphanage saga, The Devil's Backbone.

What a difference four years makes.

Today, deservedly riding the enormous success of Pan's Labyrinth, del Toro has used his enhanced prestige to rebound with — no, not another adult chiller in the mold of his Academy Award darling — a second crack at one of his favorite comic book characters.

Yep, Hellboy is back, in Hellboy II: The Golden Army ... but as far as del Toro's career is concerned, this sequel is a backwards step.

I don't fault the intent: Unlike too many stuffy Americans, del Toro is an unapologetic pop culture junkie, and that's commendable. (Del Toro's movie and comic book collection has grown so huge that he had to purchase a second house just to store it.)

And, like some of the more talented writers and artists toiling in the comic book medium these days, del Toro understands that these four-color adventures can be tailored for older audiences. I just wish del Toro had matched this new film's rich, imaginative and eye-popping visuals with a similarly strong and engaging script.

Granted, comic book writer/artist Mike Mignola's Hellboy — Mignola co-wrote this film's script with del Toro — remains a singularly fascinating protagonist.

Actually a demon spawned in hell and brought to Earth as an infant by WWII-era Nazis seeking any means to defeat the Allies — honestly, you gotta love this character's backstory — Hellboy was rescued by the good guys and raised to protect mankind from the occasional paranormal assault or underworld invasion.

His efforts remain under the radar, thanks to the belief by his government "handlers" that ordinary folks might have trouble getting cuddly with a horned red creature sporting a tail, a (literally) sledgehammer right hand and a snarky attitude ... even if he does adore kittens.

By necessity, then, Hellboy's good deed-doing has remained clandestine, as the head bad-ass for the top-top-secret Bureau for Paranormal Research and Defense, where he's joined by several other misfit agents. All are "chaperoned" by long-suffering government wonk Tom Manning (Jeffrey Tambor, always a hoot as a fussy bureaucrat).

Think Men in Black, but with a so-ugly-he's-cute hero instead of handsome fellas in three-piece suits.