Love and Monsters: Quite a ride

Love and Monsters (2020) • View trailer

3.5 stars (out of five). Rated PG-13, for sci-fi violence and mild profanity

Available via: Hulu

By Derrick Bang • Published in The Davis Enterprise, 9.3.21

A movie with a title like this, is either going to be a lot of fun … or a stinker.

 

Happily, the former is true.

 

Joel (Dylan O'Brien) finds that his new canine companion is quite useful in what has
become an extremely dangerous world.

Director Michael Matthews’ audacious adventure thriller was the dark-horse candidate for last year’s visual effects Academy Award, and Brian Cox’s team definitely earned their place on that short list. On top of which, this film is far more entertaining than the category winner (Christopher Nolan’s overblown Tenet).

I know we’ve been deluged by “giant monster” movies of late — Godzilla, King Kong, Pacific Rim and so forth — but this one’s different. In addition to the terrific effects, the secondary attraction is Brian Duffield and Matthew Robinson’s cheeky script, which goes a long way toward turning star Dylan O’Brien into a most unlikely action hero.

 

On top of which, local viewers will get a kick out of the fact that some of these events are set in Fairfield, of all places. (Filming actually took place in Australia.)

 

At some point into the future, a massive asteroid threatens to wreak havoc when it hits Earth. Governments cooperatively scramble to successfully destroy it, but the process blankets our planet with a chemical residue that causes cold-blooded animals — bugs, amphibians, sea creatures — to mutate into huge monsters that soon kill off (um, devour) most of humanity.

 

The United States’ few survivors have holed up in underground bunker “colonies” spread throughout the country, which maintain contact with each other via short wave radio. Joel (O’Brien), belonging to one such colony, is something of a misfit. Everybody is kind — they love his minestrone (!) — but he feels useless.

 

He isn’t strong or brave enough to join his older comrades when they go topside to forage for supplies, a dangerous endeavor that often has tragic consequences.

 

Worse yet, he’s the colony’s only singleton; everybody else has paired off. He nurses the memory of his former girlfriend, Aimee (Jessica Henwick), whom he hasn’t seen since they were separated seven years earlier, during the evacuation of Fairfield. He knows where she is — another colony, 85 miles away, on the California coast — but that doesn’t help much.

 

When his colony is breached by a giant ant, with disastrous consequences, Joel decides he’d rather die trying to reunite with Aimee, than spend whatever remains of his life cowering in a hole. And so he grabs a crossbow and a backpack’s worth of supplies, and heads topside. Nobody tries to stop him; they all understand.

 

Needless to say, his quest proves quite hazardous.

Guardians of the Galaxy, Vol. 2: Just as awesome!

Guardians of the Galaxy, Vol. 2 (2017) • View trailer 
Four stars. Rated PG-13, for sci-fi action and violence, and mild profanity
By Derrick Bang • Originally published in The Davis Enterprise, 5.5.17

Overloading slapstick action and succumbing to an enhanced case of the “cutes” has doomed many a sequel; we need look no further than Home Alone 2: Lost in New York.

After crash-landing on a forest planet when their ship is damaged by a pursuing attack
fleet, our heroes — from left, Gamora (Zoe Saldana), the shackled Nebula (Karen
Gillan), Peter Quill (Chris Pratt), Drax (Dave Bautista) and Rocket Raccoon — prepare
to face yet another threat.

Happily, Guardians of the Galaxy, Vol. 2 doesn’t fall victim to the dread sophomore curse. Granted, the concept isn’t quite as fresh this time, and the film does indulge in some wretched excess — at a bloated 136 minutes, it also overstays its welcome a bit — but there’s no denying the fun factor. These rag-tag characters are a hoot, and they’re well played by a savvy ensemble cast.

Most crucially, writer/director James Gunn — reprising both responsibilities from the first film — capably weaves a massive tapestry that includes half a dozen heroes; ongoing interpersonal squabbles; several new associates; bad characters who turn good; a good character who turns bad; an enemy who threatens no less than the entire universe; and a couple of large-scale armadas out for revenge because, well, the Guardians have a tendency to annoy people.

All that said, Gunn hasn’t overlooked the key elements that made the first film so entertaining, particularly expatriate Earth guy Peter Quill’s fixation on the retro 1980s. Indeed, the title’s “Vol. 2” refers not only to this film’s sequel status, but to the second “awesome mix tape” that Quill found at the end of the group’s previous adventure, and the link it provides to his deceased and still mourned mother, since he uses his prized Walkman to hear the songs that meant so much to both of them.

But this new saga’s 1980s, Earth-bound prologue focuses not on Peter, but on an unexpectedly youthful Kurt Russell, wooing Meredith Quill (Laura Haddock) during a larkish country drive, as their car radio blasts the iconic Looking Glass hit, “Brandy (You’re a Fine Girl).”

This being a Marvel Universe story, Meredith seems untroubled by the notion of being courted by a “space man,” but perhaps she can be excused, given Russell’s charm. But wait: What’s that strange-looking shrub that he has planted in the woodsy glen bordering Meredith’s home town?

Flash-forward a quarter-century, and countless star systems away, as Peter (Chris Pratt) and his misfit comrades — the green-skinned Gamora (Zoe Saldana), the brutish Drax (Dave Bautista) and Rocket Raccoon (voiced by Bradley Cooper) — struggle to fulfill their latest commission: to repel a massive, tentacled, space-faring, energy-eating monster that wishes to devour the precious anulax batteries that power the planet inhabited by the xenophobic, perfection-minded, gold-skinned Sovereigns.

And even though their queen, Ayesha (Elizabeth Debicki), gets flirty with Peter — and he with her, much to Gamora’s disgust — that doesn’t save the group from her wrath, when she discovers that Rocket has swiped a few of said batteries.

Cue the first of several space-faring chases.

Guardians of the Galaxy: Droll sci-fi hijinks

Guardians of the Galaxy (2014) • View trailer 
Four stars. Rated PG-13, for intense sci-fi action and violence, and brief profanity
By Derrick Bang • Originally published in The Davis Enterprise, 8.1.14

Call this one Marvel Lite.

The newest chapter in this comics-to-film universe has the playful atmosphere of Josh Whedon’s Firefly or George Lucas’ Star Wars saga, complete with a group of rag-tag sorta-heroes led by a tousled, good ol’ boy who feels like a blend between Han Solo and Indiana Jones. Although Earth-based to one significant degree, most of the action takes place in a galaxy far, far away, with a looming threat to an entire planet and its sizable population.

When it comes time to bust out of a celestial prison, our misfit heroes — clockwise from top
left, Quill (Chris Pratt), Groot, Drax (Dave Bautista), Gamora (Zoe Saldana) and Rocket
Raccoon — reluctantly set aside interpersonal squabbles in order to work together. Note,
however, that working together successfully is an entirely different matter...

But the danger lies not from a Death Star-like weapon, but instead from a supremely powerful alien entity known only as Thanos, who likely will be watching next summer, when Iron Man, Captain America and the rest of the Avengers battle a Big Bad dubbed Ultron.

Meanwhile, the formidable Thanos serves here as puppet master, sending malevolent minions to do his bidding. Which they do, with cheerfully evil glee.

But that’s getting ahead of things; we first must submit to necessary back-story courtesy of scripters James Gunn (who also directs) and Nicole Perlman, who have a good sense of the scruffy, well-worn universe concocted in the 2008 comic book series by Dan Abnett and Andy Lanning. Gunn and Perlman haven’t used quite all of the characters employed by Abnett and Lanning in their misfit not-quite-a-team, but the quintet on hand here certainly satisfies.

Things begin with Earth-born Peter Quill (Chris Pratt), whose presence in these distant reaches of the universe remains a mystery for another time (and the obligatory sequel). Quill, a smuggler and thief, conducts his heists while hoppin’ and boppin’ to a carefully preserved mix tape of “awesome hits” made by his mother, back before she died, and played on his carefully preserved Walkman. (Cue the first of this soundtrack’s many 1970s and ’80s rockers and power anthems. You’ll want the soundtrack.)

Quill’s current contract takes him to the dead and deserted planet of Morag, where he finds a strange metal orb also coveted by Korath (Djimon Hounsou), an associate of Ronan (Lee Pace), hired by the aforementioned Thanos. The fast-talking Quill manages to escape with his prize, only to irritate both his own boss — the blue-skinned Yondu Udonta (Michael Rooker) — and the green-skinned assassin Gamora (Zoe Saldana), another of Ronan’s emissaries, who tries to snatch the orb herself.

This skirmish takes place on the sumptuous, impeccably civilized world of Xandar, where bounty hunters Rocket and Groot are just as eager to catch Quill and collect the reward on his head. Unfortunately, the escalating fracas results in all four being arrested and sent to a massive space prison known as the Kyln.

Relations between our protagonists are tense at best. The hot-tempered Rocket — a genetically altered, cybernetically enhanced talking raccoon — wants nothing to do with these two-legged beings, unless a reward is involved; Quill just wants to escape with the orb, while Gamora has her own plans for that same device. Worse yet, The Kyln’s many prisoners include Drax (wrestling star Dave Bautista), a quiet but massive brute who blames Ronan for the death of his wife and child, and therefore yearns to rip Gamora to shreds, simply for being in the villain’s employ.

Ah, but is she actually in Ronan’s service? In truth, Gamora may have redemptive plans of her own.