Showing posts with label Maisy Stella. Show all posts
Showing posts with label Maisy Stella. Show all posts

Friday, August 14, 2026

The End of Oak Street: A complete mess

The End of Oak Street (2026) • View trailer
TURKEY: No stars (out of five); rated PG-13, despite considerable violence and gore
Available via: Movie theaters
By Derrick Bang • Published in The Davis Enterprise, 8.16.26

This film fails — jaw-droppingly — on every level.

 

The premise is ridiculous, poorly rationalized, and fails to maintain internal consistency. The main characters are inadequately conceived, one-dimensional stick figures that lack even enough depth to be considered clichés. The so-called “acting” ranges from risibly burlesque to line readings so wooden they warp.

 

All hell breaks loose, once the folks on Oak Street realize that — somehow, improbably —
their entire neighborhood has been dumped back in time, to the Jurassic Period.
Rarely have talented name actors — Ewan McGregor and Anne Hathaway — been handled so poorly by a director, although the blame isn’t entirely theirs. Nobody could have done better with the eye-rollingly awful dialogue in writer/director David Robert Mitchell’s so-called script.

I don’t understand. Back in 2014, Mitchell lit up Hollywood with It Follows, a smart, scary and genuinely original little shocker that frightened the Jujubes out of viewers.

 

What happened to that guy?

 

He sure isn’t anywhere to be seen here...

 

The year is 1982. Events begin during a lively block party in a middle-class suburban neighborhood. Greg and Denise Platt (McGregor and Hathaway) and their children — teenage Audrey (Maisy Stella) and adolescent Brian (Christian Convery) — are introduced gaily participating in a sack race. Family dog Starbuck watches from one side.

 

Ah, but — behind the scenes — all is not well in the Platt household. Greg uncharacteristically works odd jobs and drinks too much; Denise is writing a novel that reflects her own unhappy marriage; Audrey and Brian worry their parents will divorce.

 

Starbuck tends to poop in the back yard of next-door neighbor Mel Jacobs (P.J. Byrne), a Mr. Crankypants who threatens to shoot the dog if it happens again. (One suspects he won’t last long, when things go south.)

 

Brian pals around with three friends. He always carries a toy bow and arrow. (This would have made sense in the mid-1950s, when boys his age were part of the pop culture Davy Crocket/coonskin cap craze, but in 1982? It’s ... weird.)

 

The next couple of days are mostly uneventful. Brian and his pals spot a new girl in town (Jordan Alexa Davis, as Jeannette). They speculate whether she attends a private school. One of Denise’s neighbors shares a strange plant that sprouted overnight in her back yard. While Denise tries to determine what it is, the local librarian examines her photograph and immediately identifies it ... as something that has been extinct for millions of years.

 

(That’s an impressive bit of trivia, to have at the tip of her tongue.)

 

Late that evening, the night sky explodes with a thundering roar and blinding flash of light, and the power goes out. Assuming a blown transformer, they bunk together in the living room. The following morning, the power still is off; so is the plumbing. The basement is flooded, and the ambient temperature is warmer than usual.

Friday, September 20, 2024

My Old Ass: Poignant and deeply personal

My Old Ass (2024) • View trailer
Four stars (out of five). Rated R, for drug use, sexual candor and frequent profanity
Available via: Movie theaters
By Derrick Bang • Published in The Davis Enterprise, 9.22.24

Canadian writer/director Megan Park’s new film is one of the summer’s sweetest surprises: a deeply moving, intimately emotional, and tartly humorous coming-of-age saga ... but not in the way you’d expect.

 

Although Elliott (Maisy Stella, left) doesn't initially believe that a mysterious newcomer
(Aubrey Plaza) is her older self, doubts are erased quickly ... which opens the door to
all manner of questions.

Park’s nuanced skill with interpersonal relationships is impressive. Every one of the nine key characters is well sculpted, and persuasive played by a roster of mostly unknown talent. Her unerring ear for dialogue is equally superb; no wrong notes are hit during the many relaxed chats, confessions and ruminations. The goofy, flirty and often profane banter, between the teenage protagonist and her friends, feels just as natural.

The crucial message — so simple, yet profound — is that life is full of change. We need to cherish every moment, because one never knows if it might be the last time in that place, or with those people, or enjoying a particular activity.

 

We’ve all thought it: If I knew then, what I know now, I’d have paid more attention.

 

All this said, Park presents this moral in a most unusual manner.

 

The time is present day, the setting Canada’s gorgeous Muskoka Lakes region, near the southern tip of Ontario, 140 miles above Toronto. The place practically screams youthful innocence; cinematographer Kristen Correll’s gorgeous tableaus could be framed and hung in prestigious museums.

 

Free-spirited Elliott (Maisy Stella), two weeks away from heading off to university, is making the most of each day with besties Ruthie (Maddie Ziegler) and Ro (Kerrice Brooks). They’re introduced in a small outboard boat, as Elliott motors them to a remote island, where she intends to celebrate her 18th birthday by tripping on mushrooms with them, and spending the night at their improvised campsite.

 

By doing so, she has blown off dinner with her family: her father Tom (Alain Goulem), mother Kathy (Maria Dizzia) and younger brothers Max (Seth Isaac Johnson) and Spencer (Carter Trozzolo). The family tableau is quietly awkward; they even baked a cake, which Spencer took pains to decorate.

 

(Elliott later insists that she informed her mother of these plans, and Kathy graciously acknowledges that may have been the case ... but it’s far more likely that the girl gave no thought to how her family might wish to celebrate her birthday with her.)