Chuck Jones would be thrilled to bits.
When he and writer Michael Maltese co-created the Road Runner and Wile E. Coyote, for the 1949 Warner Bros. cartoon short “Fast and Furry-ous,” they likely thought this pairing would be a one-off.
As if.
That ingenious tribute to the silent-movie slapstick efforts of Charlie Chaplin, Buster Keaton and Harold Lloyd became — at the risk of citing the infamous oxymoron — an instant classic.
Jones went on to direct 25 more theatrical shorts featuring the doomed efforts of Carnivorous Vulgaris (the Coyote) to catch Accelleratii Incredibus (the Road Runner), up to 1980’s “Soup or Sonic.” While the first dozen or so arguably are funnier and more clever than what followed, as a whole it’s still an awesome body of work.
I’m therefore delighted to report that director Dave Green and his team of writers — Samy Burch, James Gunn and Jeremy Slater, inspired by Ian Frazer’s hilariously deadpan 1990 humor piece in The New Yorker — have faithfully adhered to Jones’ wit, style and frenetic comedy pacing with this phantastic feature film.
Full disclosure: What follows is an unapologetic and shamelessly biased five-star review by someone who has, from the moment I was old enough to appreciate his work, long worshipped at the altar of All Things Chuck Jones ... and I now have no trouble adding this marvelously chaotic blend of live action and animation to that pantheon of cartoon comedy.
The premise here is as golden as it is simple. After the film opens on Wile E.’s most recent attempts to catch his prey — each failing, due (as always) to faulty engineering — the Coyote finally realizes that the blame, all these years, is not his. No, he has been the victim of dangerously defective ACME products.
The obvious solution: a product liability lawsuit.
But something even more sinister is afoot here. A prologue reveals that longtime ACME scientist Dr. Lorre — an intentional caricature of Peter Lorre, one of numerous movie stars lampooned in early Looney Tunes and Merry Melodies shorts — has become convinced that the work he has been doing, on the clandestine “Project Sisyphus,” is unacceptably dangerous. He manages to box up one mysterious item before being caught and — true to ACME form — forced to step into a small circular black hole. He vanishes, after which the hole is carefully rolled up and placed in storage (!).
