Showing posts with label J.B. Smoove. Show all posts
Showing posts with label J.B. Smoove. Show all posts

Friday, December 12, 2014

Top Five: My walk with Andre

Top Five (2014) • View trailer 
3.5 stars. Rated R, for strong sexual content, drug use, nudity, crude humor and relentless profanity

By Derrick Bang • Originally published in The Davis Enterprise, 12.12.14


Caught an interesting film the other day.

Concerns a disillusioned movie star who, having turned his back on a crowd-pleasing and profitable pop-culture franchise, attempts to re-invent himself as a serious actor by writing, directing and starring in a highly unlikely vanity project. And, to make things more intriguing, this film’s approach and directorial style are self-referential to the point where real life and reel life blur before our eyes.

Much as he hates to play along, Andre (Chris Rock) agrees to smile for the ubiquitous
cameras on behalf of his fiancée, Erica (Gabrielle Union), a realty TV star who insists that
her entire life take place in full view of her devoted fans.
No, I’m not talking about Birdman. As it happens, I’m referring to Chris Rock’s Top Five.

Yes, Virginia; it would appear that these Hollywood types have been reading each other’s mail again.

I mean, seriously, how does this happen? How many forlorn, anguished twentysomething women attempted to find themselves via thousand-mile solo treks through wilderness in the late 20th century? And within months of each other, we get biographical movies about both of them?

The celluloid gods do work in mysterious ways.

But I digress.

Although Top Five doesn’t have the ambition or directorial pizzazz of Alejandro González Iñárritu’s Birdman, the similarities are strong ... as is Rock’s savage indictment of today’s vanity-laden, social media-obsessed excuse for popular entertainment. And, much the way Iñárritu employed cinematic legerdemain to add visual snap to his narrative, Rock employs the rat-a-tat delivery of stand-up comedy to tell the story of New York City-based comedian-turned-film star Andre Allen’s effort to re-cast his career in a manner that fans aren’t about to embrace.

The results are uneven, with some of Andre’s sidebar detours plunging too far into wince-inducing vulgarity, but there’s no denying the shrewd, insightful analysis of how we tend to devour our celebrities these days. We must remember that Rock masterminded four hilarious and sharply savvy seasons of TV’s Everybody Loves Chris, which unerringly skewered school- and family-induced teen angst while simultaneously being quite funny.

Andre (played by Rock), as far as his fans are concerned, hasn’t been funny for a long time. He abandoned stand-up years ago, seeking success in Hollywood; he found it in a series of slapstick Hammy the Bear action comedies where only his voice could be recognized beneath his fur-laden costume. Needless to say, the artistic returns have been limited. (Imagine if Tim Allen, having graduated from the improv stage, achieved fame solely as the voice of Buzz Lightyear in Pixar’s Toy Story franchise.)