Showing posts with label Gil Birmingham. Show all posts
Showing posts with label Gil Birmingham. Show all posts

Sunday, September 10, 2017

Wind River: A compelling, smoothly flowing drama

Wind River (2017) • View trailer 
4.5 stars. Rated R, for strong violence, rape, profanity and disturbing images

By Derrick Bang

The narrative in writer/director Taylor Sheridan’s superbly mounted Wind River is driven by equal parts grief, loyalty and justice ... the latter not necessarily to be confused with the rules of law.

Having back-tracked a fleeing young woman's progress through the harsh landscape of
the snow-covered mountains near Wyoming's Wind River Reservation, U.S. Fish and
Wildlife Service agent Cory Lambert (Jeremy Renner) and FBI agent Jane Banner
(Elizabeth Olsen) make an unexpected discovery.
In three short years, actor-turned-filmmaker Sheridan has established an impressive reputation for thoughtful, riveting dramas that place characters in situations — and environments — where the American dream is little more than cruel irony.

His scripting debut, with 2015’s Sicario, becomes more relevant by the day: its grim, uncompromising depiction of drug violence along the U.S./Mexican border an unhappy reminder of the degree to which American demand is responsible for Mexican supply. Last year’s Hell or High Water perceptively explored the callously unjust circumstances that drive disillusioned men to criminal activity, when they’re on the wrong side of the wealth/poverty divide in West Texas; Sheridan earned a well-deserved Academy Award nod for that one.

He also has been fortunate to see his projects embraced by strong casts delivering some of their finest work: from Emily Blunt’s naïve and idealistic FBI agent in Sicario; to the cat-and-mouse chase between Chris Pine, Ben Foster, Jeff Bridges and Gil Birmingham, in Hell or High Water. Good or bad, noble or ignominious, the characters are always fascinating: often bearing the burden of some degree of failure.

Sheridan also has an ear for both dialogue — the way people actually talk to each other — and, even more crucially, the way they behave with each other.

And now, with his quietly powerful Wind River, he has zeroed in on what remains of America’s frontier, which — sadly — also is a damning indictment of American history, and the utter failure to properly address past sins.

The setting is the snow-enshrouded, late winter/early spring environment of the Wind River Indian Reservation in Wyoming, where U.S. Fish and Wildlife Service agent Cory Lambert (Jeremy Renner) routinely employs his tracking skills to eliminate predators — wolves, mountain lions — caught killing livestock. He’s an honorable man, liked and respected by ranchers and just-plain-folks within and bordering the reservation.

Friday, August 19, 2016

Hell or High Water: Superlative crime saga

Hell or High Water (2016) • View trailer 
Five stars. Rated R, for strong violence, profanity and fleeting sexuality

By Derrick Bang • Originally published in The Davis Enterprise, 8.19.16

Most films are lucky if they successfully deliver compelling drama or perceptive social commentary. Very few do both at the same time.

This is one of the rare ones.

After a bank robbery doesn't go quite according to plan, Toby (Chris Pine, left) and his
brother Tanner (Ben Foster) contemplate their next move. The options are limited, and
time is running out...
Hell or High Water is the finest contemporary drama thus far in a year that has produced few American films of substance. Director David Mackenzie and writer Taylor Sheridan (Sicario) deliver a taut crime thriller that’s also a shattering indictment of contemporary economic malaise, and the lingering havoc wrought by the 2007-8 subprime mortgage crisis.

The film is beautifully mounted and superbly acted by all four leads. Sheridan is equally adept at absorbing narrative and engaging character dynamics, along with having a great ear for the gently snarky banter that often bonds men who seem distant and crusty on the surface, but in fact deeply respect each other.

The resulting atmosphere is fascinating for its complexity: We don’t often encounter films that manage to be quite funny at times, while simultaneously enveloping us in an uneasy atmosphere of impending disaster. Grim portent hovers over these characters, like an ink-black thunderstorm visible on the horizon, and approaching inexorably.

In many ways, this film looks, sounds and feels like the Coen brothers’ No Country for Old Men; it certainly paints a similarly bleak portrait of the depressed regions of modern-day Texas. But that 2007 thriller depended (to a degree) on grotesques, in order to advance its story; you’ll find no monsters here, along the lines of Javier Bardem’s Anton Chigurh.

No, the protagonists in Hell or High Water are painfully familiar, and that’s what makes this saga so heartbreaking: We know these guys. They’re the ones who live in the dilapidated house down the street, with the unkempt yard and dead vehicle(s). They hang around too much because employment has been spotty, and they’re always scrambling to remain one bank payment ahead of foreclosure.

Sheridan sets his story in West Texas, where the distinction between honest men and reluctant outlaws has blurred beyond recognition. We meet brothers Toby (Chris Pine) and Tanner (Ben Foster), guns drawn and faces concealed by masks, as they rob a tiny branch of the Midland Bank, terrorizing the two lone employees in the process. The boys are careful, taking only loose, small-denomination bills and avoiding the bundled larger bills with the explosive dye packs.

They roar away in a battered sedan, Tanner exhilarated by the adrenaline rush, the quieter Toby chastened by what they’ve just done. Their getaway takes them past foreclosed homes, shuttered businesses and countless billboards advertising payday loans; cinematographer Giles Nuttgens gives these surroundings the stark, washed-out look of cheap paint peeled away by too many seasons of blazing hot sunlight.

Then, later that same morning, they do it again ... at another small-town branch of the Midland Bank.