Showing posts with label Gaby French. Show all posts
Showing posts with label Gaby French. Show all posts

Friday, June 5, 2020

Military Wives: Be sure to enlist!

Military Wives (2019) • View trailer 
Four stars. Rated PG-13, for occasional profanity

By Derrick Bang • Originally published in The Davis Enterprise, 6.5.20

Director Peter Cattaneo makes adorable feel-good films that cleverly blend light, character-driven humor with social commentary that often pokes at the British class system.

Lisa (Sharon Horgan, left) can't quite believe it when, instead of just allowing their group
to sing a song, Kate (Kristin Scott Thomas) insists on beginning with high-falutin'
vocal exercises.
He put himself on the map with 1997’s The Full Monty, and if his subsequent films didn’t live up to that big-screen debut — 2001’s Lucky Break and 2008’s The Rocker — it’s only because he set the bar so high the first time.

Well, Military Wives — available via Amazon Prime and other streaming platforms — hits all the markers that made Monty so entertaining. The cherry on top is that Rosanne Flynn and Rachel Tunnard’s script is inspired by deeply moving actual events: a poignant (and well-timed) reminder that people from disparate backgrounds can accomplish marvelous things when working together.

The setting is 2010, at England’s (fictitious) Flitcroft military base. (Production actually took place at North Yorkshire’s Catterick Garrison, the world’s largest British army base.) The ongoing war in Afghanistan has just entered the “surge” phase, with increasing numbers of Allied troops being deployed overseas; this includes many of the active-duty soldiers at Flitcroft.

Their wives and girlfriends, left behind on base, have limited options for distracting themselves from worst-case fears. Kate (Kristin Scott Thomas), wife of the company commander, decides to take a more active hand in gathering the women for group activities. By doing so, she steps on the toes of Lisa (Sharon Horgan), the base’s newly appointed Social Committee chair.

They’re a classic case of oil and water, destined never to mix. Kate is a condescending, high-minded aristocrat who throws her status around; Scott Thomas delivers just the right note of smug entitlement. The earthier, working-class Lisa has long enjoyed being “just one of the girls,” and she’s not about to let her new “promotion” get in the way of that.

Kate wants to organize productive, formally structured activities; Lisa — and the rest of the women — prefer informal morning coffee klatches and wine-fueled evenings.