The Ministry of Ungentlemanly Warfare: Jolly good show!

The Ministry of Ungentlemanly Warfare (2024) • View trailer

Four stars (out of five). Rated R, for relentless violent content and some profanity

Available via: Movie theaters

By Derrick Bang • Published in The Davis Enterprise, 4.19.24

This one has it all:

 

Taut suspense; superb direction and pacing; well-crafted characters played by a terrific cast; dry, mordant humor; and a jaw-dropping, war-era assignment that unfolds like Mission: Impossible without the gadgets, and is based on actual events related within Prime Minister Winston Churchill’s declassified memoirs, as detailed in Damien Lewis’ 2014 nonfiction book, Churchill’s Secret Warriors: The Explosive True Story of the Special Forces Desperadoes of WWII.

 

Gus March-Phillips (Henry Cavill, center) believes that he and his lads — clockwise from
left, Geoffrey Appleyard (Alex Pettyfer), Anders Lassen (Alan Ritchson), Henry Hayes
(Hero Fiennes Tiffin) and Freddy Alvarez (Henry Golding) — can seriously compromise
Nazi U-boat activities.

To be sure, director Guy Ritchie and his co-writers — Paul Tamasy, Eric Johnson and Arash Amel — have, um enhanced these events quite a bit; that’s to be expected from the flamboyant filmmaker who brought us (among many others) Snatch, The Gentlemen and cheeky updates of Sherlock Holmes and The Man from U.N.C.L.E.

But enough truth remains to make this one of the most audacious covert operations ever to emerge from World War II.

 

England is in dire straits as this story begins, with London enduring nightly Nazi bombing raids, and American forces unable to cross the Atlantic due to the persistent threat of German U-boats (that latter detail stretching the truth a bit). Determined to break this impasse, Churchill (Rory Kinnear) authorizes an off-books assault — dubbed Operation Postmaster —  proposed by Special Operations Executive Brigadier Colin Gubbins (Cary Elwes) and his personal assistant, Lt. Commander Ian Fleming (Freddie Fox).

 

(Yes, that Ian Fleming. He had quite the colorful career during the war.)

 

The details are to remain a secret between Churchill, Gubbins and Fleming: withheld, in particular, from War Office senior officers who favor trying to cut a deal with Hitler (!).

 

The plan: a clandestine black-ops mission — in other words, “ungentlemanly,” by the norms at that time — involving a small group of carefully selected mercenaries, tasked with destroying a crucial U-boat supply ship berthed in a neutral Spanish port on the volcanic island of Fernando Po.

 

Gubbins’ choice to head the mission: Major Gus March-Phillips (Henry Cavill), currently a guest of Her Majesty’s prison system.

 

(Well, naturally.)

 

What follows is a thrilling blend of The Dirty Dozen, The Magnificent Seven and, yes, the aforementioned Mission: Impossible. Once released and apprised of the assignment — when he isn’t cadging fine spirits, cigars and Fleming’s lighter (a cute bit) — March-Phillips assembles his team, each of whom would walk through fire on his behalf:

 

• Henry Hayes (Hero Fiennes Tiffin), an Irish navigations expert;

 

• Freddy “The Frogman” Alvarez (Henry Golding), a demolitions pro fully at home underwater; and

 

• Anders Lassen (Alan Ritchson, recognized from Amazon Prime’s “Reacher” TV series), an unstoppable killing machine, equally adept with knives and his beloved long-range bow and arrows, who has a charming habit of collecting the hearts of his Nazi victims.

 

Best Sellers: A whimsical read

Best Sellers (2021) • View trailer

3.5 stars (out of five). Unrated, with R-level profanity and vulgarity

Available via: Amazon Prime and other streaming services

By Derrick Bang

This seems to be “veteran Hollywood royalty” season, with both Michael Caine and Clint Eastwood starring in new films, at the respective ages of 88 and 91 years young.

 

Lucy (Aubrey Plaza) suspiciously regards her client, Harris Shaw (Michael Caine),
when — totally out of character — he offers her some early-morning coffee as she
awakens after a horrific evening of binge-drinking.

Caine’s entry is the lighter, frothier option, and director Lina Roessler’s arch handling of Best Sellers is right in his wheelhouse. Caine’s Harris Shaw could be Educating Rita’s Frank Bryant gone even further to crankier seed … much, much further.

Anthony Grieco’s original script is a cheeky dissection of the tumultuous — and highly uncertain — role of traditional publishing houses in this era of paper-less social media millennials. Book people will love it, as they’re given plenty of opportunities to snicker at the vacuousness of tweets and “likes” … but Grieco is sly enough to suggest that (as always) collaboration may offer advantages to both sides. 

 

Aubrey Plaza co-stars as the bright and personable Lucy Stanbridge, who has assumed control of the boutique Manhattan publishing house founded by her father. Alas, issuing far too many mediocre young adult titles has pushed the firm to near-insolvency, which makes a buyout bid from the smirking Jack Sinclair (Scott Speedman, appropriately smarmy) increasingly tempting.

 

The fact that he’s also a former lover is salt in the wound.

 

Lucy becomes desperate. She and her sole loyal assistant, Rachel (Ellen Wong), comb the files of past glories, hoping for a miracle … and they find one. Half a century earlier, Shaw’s debut novel, Atomic Autumn, helped put Stanbridge Books on the map. Subsequent to that auspicious splash, he accepted a $25,000 advance for a second book … which he never delivered.

 

Trouble is, Shaw hasn’t been heard of since then; he pulled a Harper Lee and withdrew into total seclusion. “Is he even alive?” Rachel quite reasonably wonders.

 

He is, and — in fact — has just completed a massive magnum opus dubbed The Future Is X-Rated: a coffee- and scotch-stained manuscript that could serve as a doorstop. Unfortunately, the crotchety Shaw — whose only companion is an adorably attentive cat — has a tendency to greet visitors with a rifle. As Lucy and Rachel soon discover.