Showing posts with label Star Trek. Show all posts
Showing posts with label Star Trek. Show all posts

Friday, May 17, 2013

Star Trek Into Darkness: Still voyaging boldly

Star Trek Into Darkness (2013) • View trailer 
Four stars. Rating: PG-13, for intense sci-fi action and violence
By Derrick Bang • Originally published in The Davis Enterprise, 5.17.13



Director J.J. Abrams’ audacious 2009 re-boot of Star Trek was clever and wildly entertaining, a delight for both hard-core fans and newcomers. (Do the latter actually exist?)

This follow-up is just as successful ... and perhaps even more fun. While also being deadly serious.

Trapped on a hostile planet at the fringes of the Klingon empire, Kirk (Chris Pine, left),
Uhura (Zoe Saldana) and Spock (Zachary Quinto) try to figure out whether a cloaked
and impressively powerful assassin is helping them ... or merely eliminating distractions
in order to kill them himself.
Which is an impressive balancing act.

Considerable credit goes to returning scripters Robert Orci and Alex Kurtzman, this time joined by Damon Lindelof, who understand that it’s all right to mess with Gene Roddenberry’s original template — here and there — if such adjustments are made respectfully. And if they make sense, both dramatically and in the greater context of established Trek lore.

Thus, Spock’s home planet Vulcan was destroyed in the 2009 film, signaling that the future of these fresh-faced “Young Trek” characters wouldn’t necessarily unfold according to the Holy Writ as laid down by Roddenberry and the various show-runners who augmented the mythos during the subsequent TV shows and films.

On the other hand, blue-eyed Chris Pine’s James T. Kirk remains an unapologetic babe-hound. Some things can't change.

Star Trek Into Darkness opens on the run — literally — as Kirk and Dr. McCoy (Karl Urban) flee from the enraged inhabitants of Nibiru, a Class M planet (i.e. one that’s Earth-like). Kirk has “liberated” a sacred object as a diversion, while Spock (Zachary Quinto), Uhura (Zoe Saldana) and Sulu (John Cho) take a shuttle into a massive volcano, hoping to prevent a cataclysmic eruption that could wipe out the entire civilization.

Despite their efforts to accomplish this clandestinely, Kirk and his crew clearly are violating Starfleet’s sacred Prime Directive, which prohibits any “interference” with a developing culture. (Needless to say, William Shatner’s Kirk violated that directive almost every week, back in the day.)

Regardless of this mission’s outcome — and things definitely don’t go quite as Kirk planned — the brash young Enterprise captain gets a serious dressing-down from mentor Christopher Pike (Bruce Greenwood), once back at Starfleet Command’s San Francisco headquarters. The unhappy result: a demotion and loss of his ship, with Spock assigned elsewhere and the rest of the Enterprise crew left to wonder who they’ll salute next.

Friday, May 8, 2009

Star Trek: Exciting new voyages

Star Trek (2009) • View trailer for Star Trek
4.5 stars (out of five). Rating: PG-13, for action violence and mild sensuality
By Derrick Bang • Originally published in The Davis Enterprise, 5.8.09
Buy DVD: Star Trek • Buy Blu-Ray: Star Trek (Three-Disc Edition) [Blu-ray]


As the camera pulled away from those on the bridge, shifting to an exterior shot of the Enterprise preparing to warp into deep space, Michael Giacchino's operatic underscore segued to those oh-so-familiar soft opening notes of Alexander Courage's main theme from TV's original Star Trek ... and Wednesday evening's Sacramento preview audience erupted in applause, many folks making it a standing ovation.

They spoke for us all: It had been a helluva great ride.
Things may be dire for the Federation, but a youthful A-team is about to
demonstrate its valor: from left, Chekov (Anton Yelchin), James T. Kirk (Chris
Pine), Scotty (Simon Pegg), Dr. McCoy (Karl Urban), Sulu (John Cho) and
Uhura (Zoe Saldana). Rest assured, the off-camera Spock also has an important
role to play.

I wish Gene Roddenberry still were around to have witnessed the box-office sensation that this new film is destined to be. He'd have been so proud.

Call this the age of the re-boot: It worked for James Bond, and it certainly works for Star Trek. TV franchise creator J.J. Abrams (Alias, Lost, Fringe), having also demonstrated his big-screen chops by helming Mission: Impossible III, has revived the Trek franchise with a bravura thrill-ride that should please longtime fans while also attracting plenty of newbies.

Considerable credit also goes to screenwriters Roberto Orci and Alex Kurtzman, who've concocted a universe-threatening peril while also finding time for plenty of the character dynamics that made the original 1960s show  and its many successors  so entertaining, for so many people, and for so long.

Orci and Kurtzman obviously studied the 1960s Kirk/Spock/McCoy triumvirate, because  even though these are new and younger actors, speaking entirely different lines  we can close our eyes and imagine, just for a moment, that William Shatner, Leonard Nimoy and DeForest Kelley have returned to the screen. At times, it's positively spooky.

None of which really matters to the film and story at hand, of course; such echoes merely are the cherry on top of a fresh, richly fulfilling confection that viewers will devour.

This new Star Trek answers the speculation surrounding any longtime literary or movie property that began "in the midst," as it were: Where did these characters come from, originally, and how did they meet?

Orci and Kurtzman answer such questions, and quite cleverly, while delivering the best big-screen Trek adventure since 1982's Star Trek II: The Wrath of Khan.