3.5 stars. Rated PG, for no particular reason
By Derrick Bang • Originally published in The Davis Enterprise, 8.9.19
Coincidence can be cruel.
Last week’s preview screening of this film came just two days after Constant Companion and I bid a heartbroken farewell to our canine friend of 15 years. To say we therefore were a vulnerable target for a dog-oriented melodrama would be the wildest of understatements.
![]() |
Although Enzo (the shaggy one) loves to join Denny (Milo Ventimiglia) in any activity, nothing compares to the rush of sitting shotgun when they test-drive a car on their favorite racetrack. |
Fortunately, director Simon Curtis takes a sensibly restrained approach to this big-screen adaptation of Garth Stein’s celebrated 2008 novel, which obediently sat on the New York Times best seller list for three-plus years. (That said, while The Art of Racing in the Rain is a clever title for a book, it’s rather a mouthful for a movie: hard to remember, and giving no narrative clues for viewers unfamiliar with Stein’s work.)
In a year laden with sentimental pooch pictures — we’ve already sniffled through A Dog’s Way Home and A Dog’s Journey — this one’s a bit different. Although we’re once again privy to a canine protagonist’s inner thoughts, Kevin Costner’s voicing of this golden retriever (Enzo) is far more thoughtful and philosophical, and less inclined toward humor.
Enzo carefully studies everything: his master and other people, events on television and out in the big, wide world. In other words, Enzo learns; he also has tremendous insight into the human condition. He’s “handicapped” only because his doggy tongue and palate weren’t designed for speech … and he lacks opposable thumbs.
Costner’s dry, matter-of-fact acknowledgment of these two shortcomings, early on, sets the tone for his superlative voice performance.
Curtis, cinematographer Ross Emery and animal trainer/coordinator Teresa Ann Miller also must be acknowledged for the patience they displayed, in order to get such marvelously contemplative expressions and postures from their four-legged stars: primarily 2-year-old Parker and 8-year-old Butler, playing Enzo during different chapters of this saga.
“The hardest thing to train a dog to do is sit still,” Miller acknowledges, in the press notes. They succeeded brilliantly; Enzo has a regal, dignified presence that makes him seem infinitely wise. This bearing is complemented perfectly by Costner’s voiceovers.