Showing posts with label Daryl McCormack. Show all posts
Showing posts with label Daryl McCormack. Show all posts

Friday, August 25, 2023

The Lesson: A moody page-turner

The Lesson (2023) • View trailer
3.5 stars (out of five). Rated R, for profanity and expliciy sexuality
Available via: Amazon Prime and other streaming services

Memories of the first act of Ira Levin’s play, Deathtrap — transformed into a terrific 1982 film by director Sidney Lumet — surfaced while watching this nasty little character piece.

 

While Liam (Daryl McCormack, background) watches with dismay, Sinclair (Richard E.
Grant, left) crueslly tells his son, Bertie (Stephen McMcillan) that he'll never amount to
anything. The boy's mother Hélèle (Julie Delpy) offers no rebuttal.


Scripter Alex MacKeith’s similarly twisty drama telegraphs its intentions with the first words spoken by arrogant novelist J.M. Sinclair (Richard E. Grant), during a live interview: “Great writers steal.”

The only questions are who will do the stealing, and from whom. And while both answers soon may seem obvious, it’s best not to make assumptions.

 

Classics scholar Liam Somers (Daryl McCormack) is hired by Sinclair’s wife, Hélène (Julie Delpy), to help their son Bertie (Stephen McMillan) sharpen his writing skills, in order to improve the young man’s chances for university admission. After establishing a worthy talent for this assignment, Liam is hired full-time, and invited to live in the lavish Sinclair estate’s guest cottage.

 

Although at first blush this seems an average posting, the atmosphere is tense, the family dynamic quite brittle. Sinclair enjoys belittling his wife and son; the former responds with calm detachment, while the latter clearly fears his father. Liam is warned, early on, never to mention the Sinclairs’ older son, Felix.

 

Bertie’s cowering nature in his father’s presence notwithstanding, the boy is uncooperative — even dismissive — under Liam’s gentle efforts at guidance, although the boy is grudgingly impressed by his tutor’s “party trick.”

 

Liam has a form of eidetic memory that allows him to remember a complete literary work — sonnet, poem, short story — if triggered by a brief quoted passage.

 

Although an acknowledged fan of Sinclair’s work — Liam wonders if that has any bearing on why he was hired by Hélène — his relationship with the author initially remains formal and distant. Sinclair is trying to finish his newest novel — after a lapse of many years — and, after hours, Liam also is struggling to complete his first novel, titled Tower 24.

 

A droll scene follows: Liam — able to see Sinclair in his study, from the guest house’s bedroom window — tries desperately to match the author’s late-night pace … but, ultimately, falls asleep at his desk. Upon waking the following morning, Liam is chagrined to see that Sinclair still is hard at work.

 

Bertie eventually thaws. Warning Liam not to touch the poisonous blossoms of a particularly lush rhododendron, the boy further explains that “It’s basically a weed; nothing can grow around it.” Liam realizes — as do we — that the boy isn’t really speaking about the bush.

 

A rhododendron also is known as a Rose Tree, which just happens to be the title of Sinclair’s novel-in-progress.

Friday, June 17, 2022

Good Luck to You, Leo Grande: A close encounter with captivating strangers

Good Luck to You, Leo Grande (2022) • View trailer
3.5 stars (out of five). Rated R, for sexual candor, profanity and explicity nudity
Available via: Hulu

This film is most emphatically adults-only.

 

(In fact, you kids shouldn’t even read this review. Check out my comments about Lightyear instead.)

 

Getting Nancy (Emma Thompson) into bed requires considerable patience and gentle
persuasion by sex worker Leo (Daryl McCormack). But, once there, will she succumb
to the moment?
Director Sophie Hyde’s approach to Katy Brand’s script is the perfect Covid shoot: a two-hander which — aside from a brief prologue and epilogue — takes place solely within a hotel room.

I was surprised to learn that Leo Grande didn’t originate as a play, as it would have been perfect on a minimal stage. Regardless, this intimate 97-minute drama never is boring; stars Emma Thompson and Daryl McCormack make the most of Brand’s thoughtful, tender, sweetly sensitive and frequently amusing dialogue.

 

The premise is simple: Retired teacher and recent widow Nancy Stokes (Thompson), attempting to compensate for a sexually dull marriage, arranges a hotel room session with sex worker Leo (McCormack). She thinks she wants to experience the sort of all-stops-out libidinous pleasure that her husband never deigned to provide.

 

But when Nancy answers the soft knock and allows Leo into the room … well, best intentions and a lifetime of fantasies aren’t nearly the same as being confronted by this attractive, well-muscled and instinctively sensitive stranger.

 

What follows is thoroughly charming … and, as time passes, increasingly verbally explicit.

 

Thompson excels at poor Nancy’s initial blend of shyness, flustered embarrassment and second thoughts. (Heck, third, fourth and fifth thoughts!) Thompson plays it perfectly, her wary, closed-off body language matched by Nancy’s nervous non-sequiturs and an absolutely inability to look Leo directly in the eye.

 

Her stream-of-consciousness comments often are funny: gently amusing at the very least, and possibly hilarious (depending upon the sexual awareness of the individual viewer). Much of what Nancy eventually reveals likely will sound and feel familiar to many women; Brand clearly knows her way around the (often unfulfilled) female sexual experience.

 

As a means of keeping her barriers up, Nancy also wants to know more about Leo as a person … which is to say, what his life is like when he isn’t, um, on call. Leo adeptly deflects such inquiries, always with a warm smile; such inquiries would destroy what is, in effect, role play with rigid, unspoken rules.