Full bias disclosure:
I’ve been a soundtrack nerd since junior high school, when I fell in love with John Barry’s jazz-oriented scores to the early James Bond films.
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| Since meeting in 1972, John Williams, left, and Steven Spielberg have collaborated on 29 feature films ... so far. |
No surprise, then, that this new documentary was greeted with considerable anticipation.
It definitely delivers.
My soundtrack library expanded to include John Williams in the wake of 1975’s Jaws. Two years later, his score for Star Wars was a game-changer; it revived enthusiasm for classically hued orchestral soundtracks at a time when many films relied on “jukebox scores” of then-current pop tunes (a transitional detail covered in this documentary).
I mean, let’s get serious; who wasn’t blown away by that dynamic opening anthem, as the text crawl slid into the depths of space?
That film debuted May 25, 1977, but — unlike these days, when ancillary merchandise is coordinated for simultaneous release — the soundtrack didn’t show up for weeks. I haunted record stores almost daily, to the point that one shop owner simply shook his head when I peered inside the door.
But when it finally, finally, finally arrived — oh, my stars and garters — it was a double-album gatefold. Darn near unprecedented, for an orchestral film score. Like, wow.
Okay, enough of all that.
Director Laurent Bouzereau’s detailed profile of Williams covers an impressive degree of territory in 105 minutes, given that a multi-part miniseries would be necessary to do full justice to the composer’s career. The 92-year-old Williams was an enthusiastic participant, and his anecdotes, close encounters and sage observations are deftly blended with vintage photographs and home movies (both his own and, later, some shot by Steven Spielberg).
Bouzereau also employs the talking heads that have become obligatory in such films, but unlike far too many lesser documentaries, these aren’t obscure academics or fawning pop stars of the moment. The list here is meaty and meaningful: filmmakers Spielberg, Ron Howard, George Lucas, J.J. Abrams, Chris Columbus and James Mangold; fellow soundtrack composers Alan Silvestri, Thomas Newman and David Newman; and celebrated musicians Itzhak Perlman, Yo-Yo Ma, Gustavo Dudamel, Branford Marsalis and Anne-Sophie Mutter.
• Buy Blu-Ray: 
to the big screen, director Chris Columbus must've been exhausted ... and, one suspects, fed up with the sheer size and scope of such projects. No surprise, then, that he'd return to the simpler, gentler style of his younger days 
(for example) a more successful teen package. 
. She plays a high school cheerleader here as well, which probably won't do much to impress future talent scouts with her range ... but, in fairness, she definitely nails the part.