This one has style to burn.
Director Benjamin Caron definitely knows his way around atmosphere, and Brian Gatewood and Alessandro Tanaka’s deliciously crafty script is as sleek as the elegant outfits that costume designer Melissa Toth has draped onto the primary characters.
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After a charming first encounter, Tom (Justice Smith) and Sandra (Briana Middleton) become inseparable. But what's really going on? |
And yet Sharper — great double-entendre title, that — doesn’t feel like a grifter movie … at least not initially.
Gatewood and Tanaka’s narrative is divided into distinct acts, the first of which unfolds like a meet-cute love story (and Caron stages it that way).
Manhattan Bookstore owner Tom (Justice Smith) can’t help being intrigued by customer Sandra (Briana Middleton), when she browses and then requests a specific title. Their conversation is mildly flirty until it gets awkward, when her credit card is declined. Tom makes a magnanimous gesture; she gets embarrassed, and that might have been that.
But she turns out to be honest, which touches him. Several weeks pass, during which they become an item. Middleton’s Sandra sparkles with warmth and kindness; Smith is equally fine as the aw-shucks, somewhat naïve Tom.
Then things take … and intriguing turn.
We next meet Max (Sebastian Stan). He’s suave, smooth and sophisticated: a thoroughly accomplished con artist. He undertakes a long-term project, with a very specific goal in mind. He’s alternately patient and merciless, rewarding small successes and applying punishment when necessary.
Stan is the epitome of cool: often dressed in black, radiating a degree of mystery heightened by a slightly mocking gaze and insincere smile.
The narrative cuts to a new chapter. Madeline (Julianne Moore) has become cozy with über-billionaire Richard Hobbes (John Lithgow). Here, at last, Gatewood and Tanaka reveal some of their hole cards; Madeline’s relationship feels artificial. Moore’s bearing is calculated, her smile — when Richard isn’t looking — quite predatory. Whatever else is going on, Madeline’s affection for him isn’t genuine.