Showing posts with label Alyson Hannigan. Show all posts
Showing posts with label Alyson Hannigan. Show all posts

Friday, March 12, 2021

Flora & Ulysses: Doesn't quite fly

Flore & Ulysses (2021) • View trailer
Three stars. Rated PG, for no particular reason

Although director Lena Khan’s adaptation of Kate DiCamillo’s Newbery Award-winning children’s novel occasionally retains its message and engagingly snarky tone, the film — available via Disney+ — too frequently succumbs to the property-destroying slapstick that characterized far too many insufferable Disney comedies in the late 1960s and ’70s.

 

Having discovered that her new pet squirrel has some rather unusual talents, Flora
(Matilda Lawler) is faced with a problem: What does one do with a critter that can fly,
and possesses super-strength?

I suspect the book’s fans will not be pleased.

 

Brad Copeland’s screenplay takes serious liberties with DiCamillo’s book, particularly with respect to how the young heroine’s mother is portrayed. She has been softened considerably here, and made more amiably flustered and vulnerable: characteristics at which co-star Alyson Hannigan is quite adept.

 

This, in turn, demands an entirely re-written third act dominated by a new comic-relief villain: a juvenile artistic decision which suggests that Khan and Copeland simply didn’t understand their source material. More’s the pity.

 

We meet young Flora Belle Buckman (Matilda Lawler) at low ebb: deeply concerned because her parents — George (Ben Schwartz) and Phyllis (Hannigan) — have separated. He’s a frustrated comic book artist depressed by never having been able to sell any of his creations; she’s a successful romance novelist who fails to realize that her current case of writer’s block stems from the absence of her soul mate.

 

Flora, adept at adapting, has forsaken hope for suspicion and pragmatic sarcasm: She’s a self-proclaimed cynic, and proud of it. Her imagination is shaped by the do-gooding heroes she adores in comic books, while recognizing that there are no heroes — no magic, no miracles — in the real world. Her personal philosophy is shaped by the book Terrible Things Can Happen to You!

 

(Let it be said, her small town has the world’s coolest comic book shop.)

 

On an otherwise ordinary day, a somewhat ditzy neighbor’s Ulysses Super-Suction, Multi-Terrain 2000X vacuum cleaner bursts from the house, into the yard and — to Flora’s horror — sucks up an unsuspecting squirrel. Not one to shirk from an opportunity for personal heroism, Flora rescues the little critter, reviving it from suffocation by … well, the way one normally helps those who aren’t breathing.

 

The grateful squirrel refuses to leave Flora’s side, becoming a clandestine pet … and not just any pet. As the next few days pass, Ulysses — as Flora has named him — demonstrates impressive strength, along with the ability of actual flight. Even more amazing, he clearly understands what Flora says, and can “respond” with brief sentences composed while bouncing on the keys of Phyllis’ ancient manual typewriter.

 

“Holy Bagumba!” the girl exclaims.

Sunday, April 8, 2012

American Reunion: Diminishing returns

American Reunion (2012) • View trailer
Three stars. Rating: R, for relentless crude and sexual content, profanity, nudity, brief drug use and teen drinking 
By Derrick Bang • Originally published in The Davis Enterprise, 4.6.12


High school reunions, in great part trading on nostalgia, promise much but inevitably disappoint.

Everybody wants things to be the same, sort of ... and they are, sort of, which is the problem. The bad memories are amplified; the good memories are impossible to recapture in precisely the same way. Life is fresh only the first time; although the thought of going home again is irresistible, it’s like visiting a paler shadow of what we enjoyed so much, back in the day.

Wanting to help his father (Eugene Levy, center) out of a depressed funk, Jim
(Jason Biggs, left) unwisely brings him to a pre-reunion bash thrown by Stifler
(Seann William Scott). Unwise, that is, because Stifler decides that Jim's Dad
can best appreciate the party after half a dozen stiff shots.
And so it is with late-entry movie sequels. American Reunion, 13 years removed from the mixed delights of 1999’s American Pie, carries the strong whiff of wistful yearning; it’s also infected with the less savory smells of the raunch demanded by its script template.

It’s nice to see the entire gang again, particular after several key characters were left behind in 2003’s American Wedding. And, to their credit, the writing/directing team of Jon Hurwitz and Hayden Schlossberg — veterans of the Harold & Kumar series — occasionally interrupt the obligatory vulgarity for plot sidebars involving genuine feelings, in an effort to reproduce the blend of sweet and sour that made scripter Adam Herz’s 1999 original fitfully charming (usually despite itself).

Unfortunately, the brand has been sullied during the past decade, thanks to a jaw-dropping series of direct-to-video “sorta-sequels” such as American Pie Presents Band Camp, American Pie Presents the Naked Mile and American Pie Presents Beta House (and I probably missed one or two others). Long on explicit tastelessness and short on anything else, these stiffs may have set up expectations — in the wrong direction — that this newest, true series sequel can’t fulfill.

Best buds Jim (Jason Biggs), Oz (Chris Klein), Kevin (Thomas Ian Nicholas) and Finch (Eddie Kaye Thomas), each mildly — or greatly — dissatisfied with the direction life has taken, enthusiastically anticipate their upcoming 13th reunion at East Great Falls High School. It’ll be a chance to visit the ol’ town and enjoy some quality bonding time.

Jim and Michelle (Alyson Hannigan), thanks to the demands of a cute 2-year-old son, suffer the malaise of all first-time parents: Shared intimacy has become a thing of the past, replaced instead by individual efforts at self-satisfaction (depicted in unnecessary detail, of course).

Kevin is married as well, in a vaguely defined, submissive way to Ellie (Charlene Amoia): a plot element that never goes anywhere. Oz, trying to breathe fresh life into an acting career tarnished by a guest appearance on Celebrity Dance-Off, is trapped in a Hollywood-style relationship with Mia (Katrina Bowden), an oversexed sybarite who probably cheats on him three times a week.