Showing posts with label Abby Ryder Fortson. Show all posts
Showing posts with label Abby Ryder Fortson. Show all posts

Friday, April 28, 2023

Are You There God? It's Me, Margaret — Absolutely marvelous

Are You There God? It's Me, Margaret (2023) • View trailer
Five stars (out of five). Rated PG-13, for thematically suggestive material, and mild sexual candor
Available via: Movie theaters
By Derrick Bang • Published in The Davis Enterprise, 4.28.23

Film adaptations of popular novels are rarely this faithful.

 

It’s not merely a matter of director/scripter Kelly Fremon Craig retaining all the crucial plot points of Judy Blume’s 1970 coming-of-age classic; it’s easy enough to check such boxes. But Fremon Craig also captures the book’s essential tone and atmosphere, along with the blend of eagerness, humiliation, humor, excitement and stubborn determination that fuels the young protagonist’s journey into nascent womanhood.

 

Margaret (Abby Ryder Fortson, right) — determined to purchase her first bra, but
horrified by the process (check her expression!) — gamely navigates a
fraught-with-peril visit to a department store, in the company of her sympathetic
and knowing mother (Rachel McAdams).


Kudos, as well, to Fremon Craig and the casting agents who found such talented young actors for all the key tween roles: most notably Abby Ryder Fortson’s totally endearing handling of the title character.

Everything — every performance, dramatic hiccup, youthfully exaggerated tragedy and excruciating embarrassment — feels authentic.

 

(The degree to which this is true became obvious quite quickly, during last Saturday’s preview screening, when Constant Companion, in a blend of amazement and horror, kept mumbling things such as “Oh, gawd,” “Just like it happened” and “That was me.”)

 

Although remembered primarily for 12-year-old Margaret’s desperate desire to experience her first period — the frequent subject of her chats with God, and the major reason Blume’s novel has long been the target of blue-nosed book-banners — the parallel plot line, touching on Margaret’s exploration of religion, is equally crucial.

 

The film retains the book’s 1970 setting, and events take place during Margaret Simon’s sixth-grade school year. As the story begins, in a sweetly fleeting montage, Margaret is shown having a blast at summer camp. She then returns to her New York City home, and the tightly knit family unit that includes her parents (Rachel McAdams and Benny Safdie, as Barbara and Herb) and grandmother Sylvia (scene-stealing Kathy Bates, blessed with impeccable line delivery).

 

Unfortunately, this happy reunion is tarnished by the news that her parents are moving them to a New Jersey suburb, leaving Sylvia — Herb’s mother — behind. Distressed by that, and the thought of never seeing her friends again, Margaret is crushed.

 

But she rebounds quickly, thanks to an immediate visit from new neighbor Nancy Wheeler (Elle Graham), a boldly confident girl who’s proud of her developing breasts, and somewhat astonished by Margaret’s, ah, lack of same. Upon learning that they’ll be in the same sixth-grade class, Nancy invites Margaret to become the fourth and final member of a “secret club” that includes Janie Loomis (Amari Alexis Price) and Gretchen Potter (Katherine Mallen Kupferer).

 

Although the latter two girls seem kind and pleasant enough, Nancy — as self-appointed club leader — frequently enhances her own ego, at the not-always-subtle expense of the others. It’s perhaps unfair to call Nancy a “mean girl,” since she never seems deliberately spiteful, but her audacious behavior often pushes the others — and particularly Margaret — beyond their comfort zone. 

 

Friday, May 17, 2019

A Dog's Journey: A slightly milder tail-wag

A Dog's Journey (2019) • View trailer 
3.5 stars. Rated PG, for brief peril and mild rude humor

By Derrick Bang • Originally published in The Davis Enterprise, 5.17.19


Utterly shameless.

Relentlessly manipulative and sentimental.

Also adorable and poignant.

CJ (Kathryn Prescott) remains oblivious to the fact that best friend Trent (Henry Lau)
has been sweet on her since they were 10 years old; her far more perceptive dog,
Molly, wonders why they don't simply lick each other and get it over with.
Author W. Bruce Cameron has made quite the cottage industry of his Dog books, with two core novels having blossomed into an additional four one-offs, half a dozen young reader Puppy Tales, and an entirely separate story trilogy, all during the past decade.

Director Lasse Hallström transformed 2010’s A Dog’s Purpose into a cinematic charmer two years ago, with a writing assist from Cameron (and rather a lot of co-scripters). He and most of the same writing team have collaborated anew on the script adaptation of that book’s sequel, A Dog’s Journey, this time placing their faith in indefatigable, Emmy Award-winning TV director Gail Mancuso (everything from Scrubs and 30 Rock to Man with a Plan and Modern Family).

Her touch doesn’t quite hit the sweet spot of compelling pathos and gentle humor that has characterized Hallström’s career — notably in Chocolat and The Cider House Rules — and gave his Dog its special radiance. He has an affinity for heightened reality that makes it seem not only credible, but reasonable. Mancuso is a sitcom director: Her approach is broader, with supporting characters who feel more like exaggerated burlesques than actual people, and a more obvious reliance on comedy (particularly with respect to canine one-liners). 

This film therefore leans in the direction of TV’s fast-paced artifice, rather than the naturalistic verisimilitude of its predecessor. The emotional content isn’t as authentic, and a few elements have a whiff of calculated contrivance.

In fairness, that’s also because Cameron’s sequel novel isn’t nearly as fresh as its predecessor. It’s hard to pull off the same clever trick twice.

The gimmick is that Cameron’s alpha canine is a regenerative soul that remembers all of its past lives and responsibilities. This begins in the first film when 8-year-old Ethan gets his first dog: a rambunctious Golden Retriever puppy dubbed Bailey, who becomes his best friend. Dog’s lives being so cruelly brief, Bailey soon leaves a heartbroken Ethan behind; ah, but after a series of subsequent bodies and owners, Bailey is reunited with an older Ethan (Dennis Quaid), now as a Australian Shepherd/St. Bernard cross.